2016/04/17

Chernobyl, the Endless Cloud

by Lucile Berland, Slate.fr   April 14, 2016

A translation of:

The French Association of Thyroid Disease Sufferers (L’Association française des malades de la thyroïde, AFMT) has published a graphic novel based on the trial records of the case it brought against the French state. The storyboard tells how the government minimized the consequences of Chernobyl on the national territory, with a disregard for the health of citizens.


The battle lasted ten years. In March 2001, the AFMT, the Commission for Independent Research and Information on Radioactivity (CriiRAD), and fifty-one patients with thyroid disease filed a criminal complaint against “X” for involuntary injury (coups et blessures involontaires). They blame the state for having minimized the impact on French territory of the radioactive fallout from the explosion at the Chernobyl power plant on April 26th, 1986, and they also blame it for having taken no precautionary measures. On September 7th, 2011, the Paris Court of Appeal pronounced a “general dismissal” (un non-lieu général), which was confirmed by the Supreme Court in November 2012. Professor Pellerin, the head of the Central Agency for Protection from Ionizing Radiation (Service central de protection contre les rayonnements ionisants, SCPRI) at the time had his name definitively cleared, at the age of 87. The next year, a last recourse was rejected at the European Court of Human Rights  (ECHR).

André Couzet, an active member of the AFMT for thirteen years, asked, “After that, what was left for us? Our frustration and several dozen boxes of documents. In the court records, we found information that shows unambiguously the role played by French authorities. We thought a graphic novel would be an original way to make people understand what really happened.” He hopes also that the work will help the sufferers to “mourn” their status as victims, which was never previously recognized. “Many people find it absurd that the nation was told that the Chernobyl cloud stopped at the French border… but few people know what really came down and what effect it had on the health of French people.”

The graphic novel entitled Chernobyl, the Endless Cloud, will be officially released on April 23, 2016. It covers close to 900 files in the court record. It required the work of ten people over a year, primarily members of the AFMT organization (Chantal L’Hoir, the founder, Marc Saint Aroman and André Crozet). The work was supported by financial help from Réseau Sortir du Nucléaire and 300 donors who provided 24,000 Euros in a crowdfunding drive.

Along with the graphic novel there is a website, www.nuagesansfin.info that will provide dozens of files from the trial. This will allow readers to have access to the sources. The sixty-four pages of illustrations were based on the most striking of the files. One can discover, for example, the sales trend for Levothyrox in pharmacies since the start of the 1980s—a document from the laboratories of pharmaceutical companies that was very hard to obtain. “Sales of this drug just took off after 1986,” says judge Bertell-Geffroy, “to the point where today one French person out of eight or ten needs thyroid hormone therapy.” A few pages later, a page compares two maps of France: the “official” one distributed in the 1990s by the the authorities showing “no notable contamination,” and the other one made by citizens during the same period.
Rather than being fantastical allegations, these measurements conform with more recent assessments which constitute a sort of admission on the part of the Institut de radioprotection et de sûreté nucléaire (IRSN, formerly the SCPRI). In 2005, the IRSN published a new map showing levels of cesium 137 up to 1,000 times higher, in the same places, than was admitted twenty years earlier. Chantal L’Hoir, founder of the AFMT, says, “This file exists due to the determined efforts of judge Bertella-Geffroy.”

Marc Saint-Aman, a volunteer for the AFMT and administrator for Réseau Sortir du Nucléaire, adds, “The court record is full of documents like this.” For over a year he sorted through thousands of pages in the record to select the ones which would be put on the internet site www.nuagesansfin.info


Motive for the Crime

According to the authors, in the spring of 1986, the state committed at best mistakes, at worst, denial. Professor Pellerin declared on television, two days after the catastrophe, that it “presented no threat to public health, … except perhaps in the immediate vicinity of the power plant, and still it is especially only inside the plant where the Russians have admitted that people were injured.” A few days later, on May 6th, the Minister of Agriculture, François Guillaume, confirmed, “The French territory, because it is so far away, was totally spared from the successive fallout of radionuclides coming from the power plant in Chernobyl.”

The episode of the spinach contaminated with 2,600 Bq/kg is instructive. The prefect of Haut-Rhin, Madhi Hacène, wanted to ban the distribution of spinach. Marc Saint-Aroman, a member of AFMT, said, “Ten days later, Charles Pasqua, then Minister of the Interior, reacted by saying no change in eating habits was required. He added that there was no need to follow the recommendations that the WHO announced on May 6th, and thus products were clear for export.” Alain Madelin, then Minister of Industry, also stressed that there was no health risk from the passing clouds:

“I already had the occasion to say that we could start to worry and go to the doctor, if by chance we found—but we haven’t found—in the products shipped three tons of irradiated spinach and we had the intention to not wash them and then ingest them in the coming days.”

While countries neighboring France began dumping irradiated products (meat, milk, vegetables), France did not protect its own citizens and it continued to export, putting neighboring populations equally at risk. The book explains that on May 10th, the European Commission suspended imports of meat of cattle and pork from the USSR and neighboring countries. These were simple preventive measures that would be applied throughout Europe, except in France where only one order was given: do nothing. Even in the USSR, a civil defense colonel sounded the alarm:

“Inhabitants have absorbed in one day fifty times the amount of radiation permitted in one year for nuclear workers. At this rate, a fatal dose would be reached in four days.”

The graphic novel does historical research to uncover why France acted against the grain. Marc Saint-Aroman explains ironically, “What must be understood is that in 1986 there were more than fifteen reactors still under construction in France. So this is the motive for the crime. Thirty years later, France is in second place in electricity generated by nuclear, behind the United States. France produces half of the gigawatts on the European continent.

Zone of No Rights

In spite of the evidence, the legal case went nowhere. Everyone has an explanation:

“We have to understand that under the law, one is obliged to prove a link between damage (such as thyroid cancer) and that which caused it. If the judge cannot establish a causal link that is direct and certain, it’s a case of ‘move along, nothing to see here.’”

At the office of Benoît Busson, lawyer for Réseau Sortir du nucléaire, it is understood that this type of case is difficult to deal with in the justice system. “The acts of hiding data, misinforming or underestimating are not in themselves crimes. They are better understood as political mistakes or mistakes liable to civil action. The people who had thyroid diseases could have launched a civil trial and seen better results, but first they would have had to pay for experts, which is extremely costly. Second, such trials face many delays and take up to ten years to take account of all the evidence.

The judge (juge d’instruction) Bertella-Geffroy knew all these constraints. Aware that it would be extremely difficult to establish a causal link between the passage of the cloud and the rise in thyroid pathologies, she bet on a charge of “aggravated deception” more than “injury.” Yet after multiple warrants sent to the Ministry of Health, the Interior, and Agriculture, and to the national weather agency, all the confidential documents gathered were not sufficient to establish a solid case. The precautionary principle was obvious by its absence in the case. She declares regretfully, “Health has no value in the economy.” And, actually, neither does justice have a value in the economy. The judge was abruptly taken off the case fifteen days before the closed-door session which led finally to a dismissal.

For Michèle Rivasi, Green Party representative in the European Parliament since 2009, the influence of the nuclear lobby is still very powerful today. The “lies of state” post-Chernobyl, denounced by the AFMT, could be told again if a nuclear catastrophe happened in France. She says regretfully, “Still today in the nuclear industry decisions are not made in the ministries or by commissions, but directly at the executive level. Nuclear is a domain unto itself, undemocratic, a sort of zone where there are no rights.**

The title Chernobyl, the Endless Cloud designates a fog that still lingers over this entire affair, thirty years later. It also refers to the millennial time span of the radiation that escaped from the nuclear power plant on April 26th, 1986.

Translator’s Notes

*
In France a juge d’instruction is responsible for conducting the investigative hearing that precedes a criminal trial. In order for the judge to recommend a criminal trial, he or she must find not just probable cause (as in an American grand jury trial) but sufficient evidence of guilt to warrant a criminal trial.
**
Ms. Rivasi’s comments apply equally well to any nation that possesses nuclear weapons or power plants.

2016/04/05

The Silos of the Nuclear Disarmament Movement



The abolition of nuclear weapons might be the most elusive goal in the world, but it is the one which most easily gains approval across ideological and national divides. It is such laudable goal to support that it attracts those who seek refuge from the more divisive and dirty struggles of the world that are the root causes of the problem. People might disagree about the means to achieve nuclear disarmament, but everyone applauds everyone for saying nuclear arms should be eliminated. Even Henry Kissinger signed on to the Global Zero project. It’s the easiest way in the world to polish one’s humanitarian credentials.

This aspect of nuclear disarmament can be seen in the story told by the songwriter Pete Townshend about how he and his bandmates in The Who were at a loss for things to write about for their final album, It’s Hard (1982). He had always tried to write socially relevant music, but he carried no labels, no banner for hippies or progressives. The Who were wealthy rock musicians, and they didn’t seem to feel any need to apologize for being rich. Famous for smashing his guitar on stage, the apparent revolutionary Pete Townshend was also famous for writing rock’s greatest anti-revolution song, We Won’t Get Fooled Again (meet the new boss, same as the old boss). In 1981, after surviving the 1960s and 70s, and after coming out of a deep personal crisis and a near break-up of the band, Townshend asked them:

What do you want to sing about? Tell me, and I'll write the songs. Do you want to sing about race riots? Do you want to sing about the nuclear bomb? Do you want to sing about soya bean diets? Tell me!' And everyone kind of went, 'Uhhh.' So I said, 'Shall I tell you what I think we should be singing about?' So I told them. And it actually turned into a debate...what was it that each one of us shared, our common ground? Well, after establishing quite quickly that there was very little common ground, we did find that we all cared very deeply about the planet, the people on it, about the threat to our children from nuclear war, of the increasing instability of our own country's politics. [1]

This anecdote exemplifies how nuclear disarmament is the last refuge (of scoundrels such as Henry Kissinger sometimes, now a signatory of Global Zero), the issue everyone turns to when there is nothing else they can agree on, nothing else they can stomach fighting for. And this is exactly why the abolition movement constantly fails to achieve anything. Barbie said it about math, and The Who said it in their last album: It’s hard. The road to nuclear disarmament goes through all those sticky, intractable social and political problems that anti-nuclear activists thought they could put aside while they devoted themselves to the highest goal of all.

This fact was more obvious at the dawn of the nuclear age when WWII was recent enough to help everyone maintain the proper perspective. Another world war fought only with conventional weapons could also be enough to finish off civilization. Nuclear weapons were only a by-product of the underlying problem. In 1955, Albert Einstein and Bertrand Russell released their famous 1955 statement calling for the elimination of nuclear weapons, but it actually placed more emphasis on the abolition of war. They stated, "Although an agreement to renounce nuclear weapons as part of a general reduction of armaments would not afford an ultimate solution, it would serve certain important purposes." Later, in a footnote, they called for a "concomitant balanced reduction of all armaments." [2]

It seems that even the leadership in disarmament organizations have, ironically, now constructed silos for themselves within which they study disarmament in isolation from the underlying problems of inequality, ecological degradation, the abuse of the United Nations and international law and, especially, the deployment of conventional military power. This at least seems to be the case in what is written in English by some disarmament groups and think tanks in the US and the UK, by writers who are deeply influenced by life inside the bubble of Western groupthink on international relations.

This bias was on full display this week in an article by Rachel Bronson, executive director and publisher of The Bulletin of the Atomic Scientists in which she condemned Russia for having boycotted the recent Nuclear Security Summit:

Deteriorated relations between the United States and Russia make for a terribly risky world security situation. As badly as the Russians are behaving in Ukraine and Syria, Washington simply must continue to reach out. “We have an existential stake in each other’s competency,” stated Nunn, and he’s right. The two countries with the most nuclear weapons under their control need to engage—for their sake, and for the world's. Examined in this light, Russian President Vladimir Putin’s decision to boycott the Nuclear Security Summit is more than inconvenient; it was a diplomatic travesty and an abdication of responsibility to his own people. [3]

One might have thought that people who work on nuclear disarmament are experts in peace studies and conflict resolution, always going the extra mile to understand the context, psychology and feelings of everyone involved in the problem, but in this quotation we see a stunning display of willful ignorance of the Russian point of view. There is also the moral judgment that the Russians have behaved badly in Ukraine and Syria, implying, laughably, that America and its accomplices have behaved well in those places. No effort is made to find out why the Russians boycotted the summit, even though the Russian frustration with the West has been fully explained by various Russian government representatives, Russian media, and even, most thoroughly, by American historian Stephen F. Cohen [4]. In this American perspective in The Bulletin, there is no self-criticism, and no awareness that the Russians might feel they have justified reasons for not attending. In this view, they are behaving badly, but we are inherently good, so we must take the high road and bear with those who sin against us, “we must continue to reach out,” but it is an eternal mystery to us that they fail to see our beneficence.

By this point it has been well-established that the 2014 coup in Ukraine was instigated by the US State department and that the results have been a disaster. It was a continuation of the broken American promise made to Gorbachev to not expand NATO eastward, a desperate attempt to open up a market for Western goods and weaponry in a nation that is historically, culturally, linguistically and geographically connected to Russia. It was a bridge too far for the expansion of Western power, as Russia pushed back and the coup failed to deliver on its promises. Now Ukraine has a load of IMF debt and an austerity package that forces the selloff of national assets. Meanwhile, the natural trade ties with Russia have been severed. Lawrence Wilkerson (national security adviser to the Reagan administration, chief of staff to Colin Powell during the Bush administration), said of the debacle,

…about a third, 20% I’ll say, to 30 percent of Russia’s heavy armaments industry is in Ukraine. What do they do for tanks? What do they do for their heavy armaments in their military if Ukraine goes? The idea that we could do something in Ukraine, covert or otherwise, and have Putin not respond is just laughable. [5]

Americans can debate whether Russia acted outside of international law to provide assistance to ethnic Russians in Eastern Ukraine, thereby averting a prolonged, bloody civil war, or again when they conducted a referendum in Crimea, averting a civil war there as well, but the world doesn’t have much patience left to be lectured in international law by the United States. America declared itself above international law at the start of the Cold War, and has abused it numerous times since then. The suggestion that it was the Russians who “behaved badly” in Syria is just laughable at this point, as America’s record of disastrous and illegal regime change operations in the Middle East is so well documented by this time. [6]

The main impediment to nuclear arms reduction has nothing to do with nuclear arms. Former president of the USSR, Mikhail Gorbachev, spoke of how Russia and all other nations see the problem when he asked plainly,

Can we really imagine a world without nuclear weapons if a single country amasses so many conventional weapons that its military budget nearly tops that of all other countries combined? Demilitarization should be put back on the agenda of international politics. This includes a reduction of military budgets, a moratorium on the development of new types of weapons and a prohibition on militarizing space. Many are already talking about a new cold war. Talks between both powers over important global problems have practically been put on ice. That includes the question of nuclear disarmament. Trust, the very capital we worked so hard to build, has been destroyed. [7]

Gorbachev mentioned here precisely three items that Americans did not want on the agenda of the Nuclear Security Summit: the reduction of military budgets, a moratorium on the development of new types of weapons, and a prohibition on militarizing space. Instead, the summit was mostly concerned with the sham of “securing” (always a relative term) nuclear materials and decreasing the chances of a terrorist attack on nuclear facilities. So if the Americans don’t want to talk about these things, why should the Russians, or anyone else, show up to lend legitimacy to process which consciously avoids these critical issues? Russia has been trying to get the Americans to stop militarizing space since the Reagan years, but still America persists. So Russia did the right thing by sitting this one out because doing so creates an opportunity for other nations to question the status quo and create a new one for a future security summit, hopefully one at which the agenda will not be set by the self-proclaimed “indispensable” nation in the whole process.

The really interesting question, however, is to ask why all this needs to be explained to the executive director and publisher of The Bulletin of Atomic Scientists. I’m not suggesting that America is entirely responsible for the lack of progress in nuclear disarmament, but it is disheartening to see that an institution as well respected as The Bulletin has become so blind to critical views of the exercise of American power, and such a dupe for the anti-Russia propaganda that has circulated in the Western media for the last ten years. When nuclear disarmament groups become concealed platforms for nationalist agendas, they are part of the problem, not the solution.

Notes

[1] The Hypertext Who: It's Hard. See the appendix below for a discussion of song on the album about the nuclear arms race.

[2] "The Russell Einstein Manifesto," Pugwash Conferences on Science and World Affairs, July 9, 1955,.

[3] Rachel Bronson, "'Command and Control,' terrifying soon at a theater near you,” The Bulletin of Atomic Scientists, April 3, 2016

[4] Patrick L. Smith, "Stephen F. Cohen on the U.S./Russia/Ukraine history the media won’t tell you," Salon.com, April 17, 2015.

[5] ‘This Ship is Sinking’ Says Former Bush Official, Media Roots, December 16, 2015.

[6] Unraveling the Syria War Chessboard with Vijay Prashad, Media Roots, February 2, 2016. This interview provides an expert’s analysis of the Syrian conflict.


Appendix: When The Who sang about the clock of The Bulletin of Atomic Scientists


Pete Townshend: "I don't know how it is over in the States, but over here if you try to get in a conversation about arms buildup or nuclear weapons, people turn away and order another pint of Guinness, and they want to talk about bloody Arsenal! [the football club] They're going to be dead tomorrow if they don't start thinking about it... but they're embarrassed; 'It's annoying...oh, don't talk about that! We're impotent, we're neutered.' Now that is what's happened to rock 'n' roll."

The line "Four minutes to midnight on a sunny day" refers to the Clock on the front cover of The Bulletin of the Atomic Scientists. Much publicized in the early 1980's, this clock represented by minutes to midnight how close the scientists felt the world was to nuclear war. In January 1981 the worsening political situation led them to move the hands to four minutes to midnight. The Clash made a similar reference to the Clock on their song The Call Up from Sandinista! ("It's 55 minutes past 11"). Pete on the line "It never rains under my umbrella": "we've just sat back under the nuclear umbrella and lived our lives, taken our drugs, listened to our blues. I don't want to sound like fucking Pravda or anything, but we have been a pretty impotent, unthinking [generation]."

Six months after the release of It's Hard, President Reagan would announce the SDI initiative, popularly known as "star wars"; an attempt to build a nuclear missile defense system Reagan characterized as an "umbrella" against nuclear attack.

by The Who (album: It’s Hard, 1982)

The streets of the future littered with remains
Of both the fools and all the so-called brains
The whole prediction is enough to kill
But only God knows if it won't or it will
Nobody knows why we fell so flat
Some silly creature said we'd never crack
Most would just survive and then bounce back
But the rest are crying "Why'd I fall for that crap?"
Why did I fall for that?
So many rash promises sincerely made
By people who believed that we were being saved
They made us all believe that we were acting white
But the truth is we've forgotten how we used to fight
Nobody knows why we fell so flat
We're impotent and neutered like whining cats
We've found the piper but we've lost the rats
But the kids are crying "Why'd I fall for that, dad?"
Why did you fall?
It never rains under my umbrella
Four minutes to midnight on a sunny day
Maybe if we smile the clock'll fade away
Maybe we can force the hands to just reverse
Maybe is a word, maybe maybe is a curse
Nobody knows why we fell so flat
We've never been taught to fight or to face up to facts
We simply believe that we'd remain intact
But history is asking why did you fall for that?
Why did you fall?
Why did I fall for that?
Why did I fall for that?
Why did I fall for that?

2016/03/29

The Film that Made the Cold War Stand Still



The Day the Earth Stood Still (20th Century-Fox, 1951)
directed by Robert Wise, produced by Julian Blaustein, written by Edmund H. North
based on the shorty story Farewell to the Master, by Harry Bates

Synopsis of The Day the Earth Stood Still (spoiler alert)

An alien (Klaatu) (who is identical in physiology to humans) with his mighty robot (Gort) land their spacecraft on Cold War-era Earth just after the end of World War II when planetary survival is threatened by the nuclear arms race. They bring an important message to the planet that Klaatu wishes to tell to representatives of all nations. However, conveying that message to all of the world’s political leaders proves to be impossible, so, after learning something about the natives, Klaatu decides on an alternative approach. The aliens have understood that earthlings will soon be able to use atomic power for inter-planetary travel, and because they are still warlike, the federation of planets decided that earth must be destroyed if it cannot be convinced to submit to the pact of non-violence that all other planets live by.

Interestingly, Klaatu explains to humans that he has traveled to Earth by an advanced form of atomic power, and this story element reveals that in 1951 even among extreme peaceniks there was a firm belief that nuclear energy had uncomplicated potential for peaceful applications. There was no consideration of the dangers of radioactive fallout, and little thought given to the hazards of uranium mining and nuclear waste disposal, nor to the risks of reactor meltdowns. To the extent that there were any concerns about these, the hazards were deemed to be manageable. This started to change only in the late 1950s.

The Day the Earth Stood Still
Klaatu and Helen, Gort in the background

About the director

For over fifty years Robert Wise has made great movies. He won the Academy Award for West Side Story and for The Sound of Music. But his movies have done more than just entertain us. Working in all genres, he has helped us think about the human condition. Racism, capital punishment, power and purpose in the corporate boardroom, questions of war and peace, the dangers of nuclear and biological weapons—all have been addressed at one time or another in his films, and often ahead of his time. After watching a Robert Wise film, we leave the theater not only entertained but also enlightened by a director who uses his mastery of cinema not so much to leave us conscious of his style as to tell us a story so that we might better understand the world around us.
- From Conversations with History, Interview with Robert Wise, 1998, by Harry Kreisler of the Institute of International Studies at the University of California at Berkeley

The Story

The Day the Earth Stood Still seemed on the surface to be one of the many typical, low-grade science fiction films cranked out by Hollywood, but critics, historians and the public quickly noted there was more to it. It became a classic, recognized for the brilliant way it managed be very human and realistic, and for the way it managed to criticize both sides in the Cold War at the height of the anti-communist witch hunts that had silenced the American entertainment industry and intelligentsia. Though the film focuses on an alien threat, this device was a veil over the real threat that the audience could understand implicitly. Now that both the Soviets and Americans had large arsenals of nuclear weapons, everyone knew that total destruction could be achieved without the help of aliens.

After being shot in the arm and captured, Klaatu is under guard at a hospital in Washington. He reveals to the President's secretary, Mr. Harley (Frank Conroy), that he bears a message so momentous and urgent that it must be revealed to all the world's leaders simultaneously. However, Harley tells him that it would be impossible to get the world leaders to agree to meet. This scene is carefully crafted so as to not come off as explicitly anti-American or accusing of the USSR. Mr. Harley says only ambiguously that Klaatu must be aware of “evil forces that have produced the trouble in our world.” Those forces might be the atom bomb itself or the enemy against which we, "the good guys" must fight against.

Klaatu escapes from the hospital and lodges at a boarding house, assuming the alias John Carpenter. Among the residents are Helen Benson (Patricia Neal), a World War II widow, and her son Bobby (Billy Gray). While staying at the boarding house, Klaatu visits the famous physicist Jacob Barnhardt (Sam Jaffe), hoping to convince him of the need to convene the world’s top scientists and politicians to hear his message.

Klaatu eventually finds that it is time to tell Helen who he is so he can enlist her help. He finds her at her workplace where she leads him to an unoccupied elevator which mysteriously stops at noon, trapping them together. A montage sequence shows that, as a demonstration to capture the attention of the world, Klaatu has neutralized all electric power everywhere around the planet, except in situations that would compromise human safety, such as hospitals and airplanes in flight.

After the thirty-minute blackout ends, the manhunt for Klaatu intensifies as Tom, Helen’s fiancé, informs authorities of his suspicions. Helen is upset that Tom placed importance on his jealousy and ambition to be the hero who catches the alien. She breaks off their relationship and helps Klaatu complete his mission.

During the chase, Klaatu is mortally wounded by army soldiers, but he has instructed Helen that should anything happen to him, she must tell Gort "Klaatu barada nikto". Helen heads to the spaceship and gives Gort the message. Gort leaves her in the spaceship, then goes to retrieve Klaatu's corpse. Gort then revives Klaatu while Helen watches. Astute observers of the film noted that John Carpenter has the same initials as Christ, and in the final scene he rises from the dead, but industry watchdogs forced the writer of the story to make Klaatu explain that his revival is only temporary. Even with advanced medical technology, they cannot overcome death. Like other mortals, he does not know how long he will live. This fix actually helped to make the story more human and "down to earth."

Klaatu steps out of the spaceship and addresses the assembled scientists, explaining that humanity's penchant for violence, combined with its discovery of nuclear energy and first steps into space, have caused concern among other inhabitants of the universe. On other planets, intelligent creatures have created, empowered, and submitted themselves to robot enforcers who deter such aggression. He warns that if the people of Earth voyage into space with their violent tendencies unreformed, the robots will destroy Earth. He finishes by saying, "The decision rests with you." He enters the spaceship and departs.

DVD Extras: Interviews and 1952 Newsreel

The texts below come from the supplementary videos on the 2003 DVD release. The interviews were conducted in 1995, and they reveal how the director and producer were determined to find a way around the censorship and the negative political atmosphere of the era. They also discuss the ambiguous intentions of the film around the question of surrendering national sovereignty to an international entity.

Patricia Neal, who played the role of Helen, said that she couldn’t take the story seriously during filming, and kept laughing during rehearsals. However, she felt differently when she saw the film. It’s just a sci-fi flick, but it had a lasting impact on world culture and on history. The idea of a meeting of world scientists was taken by the writer from Einstein’s 1949 Cultural and Scientific Conference for World Peace, but then perhaps the film had an influence on the Russell-Einstein manifesto of 1956, on the Pugwash conferences that followed from it, and on the entire counter-cultural and anti-nuclear movement that emerged later in the decade. According to President Reagan’s biographer, Reagan liked the notion that extraterrestrial invasion would trump national differences, and he mentioned the scenario upon meeting Mikhail Gorbachev for the first time at Geneva in 1985. [1]

The Movietone Newsreel transcript reveals exactly what US Secretary Harley’s words in the film refer to in the real world. The report on the San Francisco Peace Treaty shows Western leaders speaking with an utter disregard for diplomatic civility toward the Soviet Union. The former WWII ally is here mocked as if by crude, adolescent bullies, and this report from the free Western press makes no attempt to tone down the rhetoric with more objective language. It speaks for government agencies with enthusiasm for vilification, as if it were the product of a wartime propaganda machine, which it was essentially. Ironically, the newsreel includes a report on the film The Day the Earth Stood Still winning a science fiction award. At the end of the newsreel, the male adolescent mentality or the time comes through again in the language used to describe the Miss America and Mrs. America pageants of 1952. Irony upon ironies: the newsreel was distributed by 20th Century-Fox, the same company that produced The Day the Earth Stood Still.

Interviews on the making of The Day the Earth Stood Still, from the 2003 DVD, interviews conducted in 1995

Robert Wise (director) 00:01:16

It was a marvelous way to tell a science fiction film. I liked so much about what it had to say, particularly at this time. This was the early 50s after WWII. We had had the atomic bombs on Japan which caused such a furor, rightly so, around the world, so it was very, very hot subject matter. It's grown hotter over the years of course with all the threat of nuclear war that has gone on up until recent times and maybe still. So, I went back to see Julian and I said, "Listen, I love the film. I think it's a marvelous script and a marvelous way to tell a science fiction film and a marvelous way to get a message over to this world that says, "Let's stop fooling around with this atomic bomb that we've invented... and start being sane about this whole matter."

Robert Wise (director) 01:04:10

The fact that the story of The Day the Earth Stood Still had something important to say was very meaningful to me. I've been anti-militarist my whole life... I made a number of films that say we should stop wars, stop fighting and somehow get along... I made a film called The Sand Pebbles about a gunboat on the Yangtze River in China with Steve McQueen playing the lead in it. It had a message to America saying, "Stop showing your military might all around the world," as we've been doing since the early part of the [20th] century... It's been important for me to have something vital to be said in my films, but never, hopefully, to get up on a soap box and talk about what the message is, or the theme, but to have brought it out and dramatized it through the story itself... except, interestingly enough, in The Day the Earth Stood Still... where Klaatu gets up and delivers [his message] to the scientists and important people there what it is about: stop fooling around with your primitive atomic bombs and warfare or we may have to do away with you.

Julian Blaustein (producer) 00:01:57

The idea for the picture came from a series of newspaper headlines which referred to the phrase "peace offensive." At the time the Soviet Union was trying to talk peace and all the people, obviously, who were enemies of the Soviet Union didn't trust them and it became a "peace offensive" and it seemed like such a contradiction in terms that characterized that whole period that we were living in. The atmosphere and political ambience was so negative, and I wondered if we could do something to say that peace is a five-letter word, not a dirty word. The screen [motion picture industry] has maybe a responsibility. It started that way and then I said I'm never going to find a story that will carry that idea without becoming a tract, without becoming a non-entertainment piece of work that Darryl Zanuck [head of Twentieth Century-Fox Film Corporation] would never approve. He had the approval of what we did. And it suddenly hit me the science fiction story might be the way to go.

What turns out to be a man steps off the space ship, brings an offering as a gift, but because it's strange and certainly unusual, he's immediately shot at by our military and seriously wounded. That appealed to me. The way that we deal with strange things is with weapons, guns, no effort at finding out how the other person thinks, feels, works. Different from us? Kill him.

And the main idea in that story that was appealing was the fact that peace in the universe had been achieved by sacrificing some sovereignty to a central agency, but irrevocably, so that the United Nations, for us, became the focal point of the way to go to world peace. Give the United Nations full authority to step in, to put down violence wherever they saw it—give them the equipment, the manpower, which we knew was unrealistic. To give up sovereignty is something that is very tough to ask heavily nationalistic entities to do, but it was an idea that was very appealing.

Billy Gray (child actor in the film) 1:06:15

The message is incredibly powerful and it is just as important today, if not more so than then. I don't think the Soviet Union really had ideas of world conquest. That was started by our industrial military complex to fatten everybody's purse primarily... and I think this picture addressed that dilemma and it probably wasn't very popular. It was right around the "red scare" time. This was 1951. The McCarthy hearings were happening. It took a lot of courage to put this movie together.

Julian Blaustein (producer) 01:07:18

The political landscape was scarred by this political attitude in Washington, picked up by that portion of the press and the public that agreed that there were communists under everybody's bed, and if you belonged to this kind of organization or made that kind of comment, you were a danger. And it hurt a lot of people. It was not an atmosphere in which political positions that were unpopular might well have been financed by motion picture companies, but we never had any trouble, as I remember it, except for Sam Jaffe. He was attacked after the picture was made. The picture was attacked because of him, but not because of the subject matter, which is interesting.

Robert Wise (director) 1:09:58

In spite of the fact that it's science fiction, it's very credible... credible situations, credible characters, even though the key character is from outer space.

Narration from:
49 Nations Sign Japanese Peace Treaty, Movietone News Inc., 1952, distributed by 20th Century-Fox

Story 1

In spite of Soviet Russia's attempt to wreck it, the San Francisco Japanese Peace Treaty Conference attended by 52 nations moves to a successful conclusion, [with the] final hours highlighted by John Dulles exposing Soviet plans to make the Japan Sea a Russian lake.

Congressman Armstrong's presentation to Gromyko of a map showing all the slave camps in the USSR, [is] quickly discarded by his aide.

The New Zealand delegate, Sir Carl Berenson [makes a] dramatic statement of a fact the Russians overlook. "The United States, with the full cooperation of the United Kingdom, Australia, New Zealand and other members of the British Commonwealth, fought the Japanese for four years! And the Soviet Union fought them for six days!"

A bit of blatant hypocrisy by the Polish delegate getting the treatment it deserves: “A great English man once said, that to preach freedom of discussion is not enough, you have to practice it. If you don't practice it... [laughter erupts in the hall].

The treaty sponsored by Britain and the United States succeeds as the signing begins, a triumph for Mr. Acheson the Russians couldn't bear to witness. They deserted the party. [Signing] for the Argentine, the Commonwealth of Australia, the Dominion of Canada, la belle France, communist defeater Greece, the Philippine Islands, the United Kingdom, the United States, and finally Japan. Mr. Dulles and Secretary Acheson deserve the plaudits of their country and the free world.

Five hours later at San Francisco's Presidio, Secretary Acheson and his loyal bipartisan spokesman Mr. Dulles, with premier Yoshida of Japan, compound the diplomatic victory scored at the peace treaty conference. In the hall of the headquarters of the Sixth Army, they assemble to conclude a mutual defense pact between the United States and Japan. Mr. Acheson signs for the United States while his prototype from across the Pacific, Premier Yoshida, signs for his empire, former enemies becoming allies in a security pact against communist aggression in the Far East.

Story 2

Accepting the city's salute in Cleveland, Ohio, General MacArthur makes this observation on Japan: "In this post-war period of general failure to attain real peace, one of the bright spots has been conquered Japan. It is a Japan which may now assume the burden of preparing its own ground defense against predatory attack and thus in short time release our own beloved divisions for a return home.

Story 3

Flash floods that accompany torrential rains make life rugged for this Greek contingent of United Nations forces fighting communist aggression in Korea. Waist deep in water, these veteran red-fighters who've never fled from communist attacks find it strategically wise to pull up stakes now. Nature's a real tough foe. Over northern Korea, rain-filled clouds failed to impede a bombing mission of US Air Force B-29s. A marshalling area at Pyongyang, the North Korean capital, being plastered in spite of occasional flak from red enemy aircraft guns. An emergency truck wheels to the runway to meet a returning sky giant that was slightly damaged by the fire from the ground. The hits were superficial, however, and although the tail of the big ship is pretty well riddled, not even the tail gunner was hit. Just a laugh for these dauntless airmen.

Story 4

Klaatu, the weird Earth visitor in the 20th Century-Fox film The Day the Earth Stood Still, learns a quaint Earth custom. He receives a certificate of merit from the Science Fiction Convention at New Orleans. He is presented by Chairman Moore for the faithfulness of the film to the best science fiction traditions.

Story 5

Pomp and pulchritude on parade in Atlantic City and Miss South Dakota bids for Miss America. Same girl in a bathing suit. Miss Indiana poses a pretty problem for the judges as she seeks the laurels of loveliness. Miss North Carolina, a bright-eyed belle of the South, sir. Right fetchin', I'd say. And here's Miss Utah, five foot 10, eyes of blue, a blonde enchantress whose blooming talent places her in the charmed circle. Colleen Kay Hutchins of Salt Lake City crowned by last year's winner Yolande Betbeze, Miss America of 1952, America's reigning beauty, Queen Colleen.

Story 6

In Asbury Park, New Jersey, more bathing beauties vie for the title of Mrs. America. These wedded wonders are cheered on by happy husbands. Mrs. Virginia. Hmm. And Mrs. Philadelphia. "Atta a girl, mommy." Mrs. California, and another stunning bride, Mrs. New York City, an eye-catcher who catches the eye of the judges. Easy, buster. Mrs. Penny Duncan is Mrs. America, a 5'7" strawberry blonde, 126 pounds of heavenly homemaker, 22-year-old mother of a two-year-old son. Hmm. How about that?

Selected dialog from The Day the Earth Stood Still

Klaatu explains the purpose of his visit to the president’s secretary

MR. HARLEY: Our world at the moment is full of tensions and suspicions. In the present international situation, such a meeting would be quite impossible.
KLAATU: What about your United Nations?
MR. HARLEY: You know about the United Nations?
KLAATU: We've been monitoring your radio broadcasts for a good many years. That's how we learned your languages.
MR. HARLEY: I'm sure you recognize from our broadcasts the evil forces that have produced the trouble in our world.Suely...
KLAATU: I'm not concerned with the internal affairs of your planet. My mission here is not to solve your petty squabbles. It concerns the existence of every last creature on Earth.
MR. HARLEY: Perhaps if you could explain a little...
KLAATU: I intend to explain… to all the nations, at the same time. How do we proceed, Mr. Harley?
MR. HARLEY: Well, we could call a special meeting of the General Assembly. But the UN doesn't represent all the nations.
KLAATU: Then I suggest a meeting of all the chiefs of state.
MR. HARLEY: Believe me, you don't understand. They wouldn't sit down to the same table.
KLAATU: I don't want to resort to threats, Mr. Harley. I merely tell you that the future of your planet is at stake. I urge that you transmit that message to the nations of the Earth.
MR. HARLEY: I will make that recommendation to the president. But I must tell you in all honesty, I'm extremely dubious about the results.
KLAATU: Apparently I'm not as cynical about Earth's people as you are.
MR. HARLEY: I have been dealing in Earth's politics a good deal longer than you have.

Klaatu explains that he doesn’t have power over life and death

HELEN: I thought you were...
KLAATU: I was.
HELEN: You mean... he has the power of life and death?
KLAATU: No. That power is reserved to the Almighty Spirit. This technique, in some cases, can restore life for a limited period.
HELEN: But... how long?
KLAATU: You mean, how long will I live? That, no one can tell.

Klaatu’s final statement to humanity

KLAATU: I am leaving soon, and you will forgive me if I speak bluntly. The universe grows smaller every day, and the threat of aggression by any group anywhere can no longer be tolerated. There must be security for all, or no one is secure. This does not mean giving up any freedom, except the freedom to act irresponsibly. Your ancestors knew this when they made laws to govern themselves, and hired policemen to enforce them. We of the other planets have long accepted this principle. We have an organization for the mutual protection of all planets, and for the complete elimination of aggression. The test of any such higher authority is, of course, the police force that supports it. For our policemen, we created a race of robots. Their function is to patrol the planets in spaceships like this one, and preserve the peace. In matters of aggression we have given them absolute power over us. This power cannot be revoked. At the first sign of violence, they act automatically against the aggressor. The penalty for provoking their action is too terrible to risk. The result is, we live in peace, without arms or armies, secure in the knowledge that we are free from aggression and war, free to pursue more profitable enterprises. We do not pretend to have achieved perfection, but we do have a system, and it works. I came here to give you these facts. It is no concern of ours how you run your own planet. But if you threaten to extend your violence, this Earth of yours will be reduced to a burned-out cinder. Your choice is simple. Join us and live in peace, or pursue your present course and face obliteration. We shall be waiting for your answer. The decision rests with you.

Note

[1] J. Hoberman, “The Cold War Sci-Fi Parable That Fell to Earth,” New York Times, October 31, 2008. This article gives a detailed discussion of the film’s cultural legacy, and was written just before the 2008 remake was released. A subsequent reviewer for The Guardian wrote it was “a stupendously dull remake of Robert Wise's 1951 sci-fi classic.” The remake, heavily laden with special effects and a complicated plot, lacked the simplicity and humanity of the original and is a footnote in film history, just like it is in this essay.